Memorials for Victims of Persecution

How do we mourn the ones we lose to tyranny? The lives that were so short and compressed. Germany has gone through some of the worst excesses, but unlike many other places, they have also memorialised the past. I believe that a society’s ability to remember and acknowledge the victims of the past is a necessary stage towards forgiveness and growth. Otherwise, like that oft-repeated but true phrase goes “those who forget history are condemned to repeat it“.

After my guided tour of the Berlin gate and other better known sites, I walked alone through the Tiergarten that is nearby. This garden is expansive, and probably deserves a day of its own. As I skimmed the periphery, I came across a small clearing and there stood the Memorial to Homosexuals persecuted under Nazism. The memorial is a large block of stone with a small “window” cut in one side through which you could look in. Inside, I could see on continuous loop, a video of two men kissing. If you come from eastern cultures, you rarely get to see couple hugging, so there’s always an element of novelty when I see couples kissing or displaying public intimacy. That is why I would recommend everyone from different cultures and upbringing to go and see this, because we need to get over our initial reactions, whether it is to see a man and a woman kiss, or two people of the same gender get intimate. We are all the result of our past, but we have the ability to change the direction of our future. We can all exercise the ability to expand the boundaries of our minds.

This video of the actual memorial is by Stefan Ourakcha. Interestingly the video I took (and which I can’t upload it seems) has a different set of men kissing. So maybe the content is changed occasionally. I believe there is also a proposal to show women kissing.

In the same garden I also came across another quiet memorial. This was the Memorial for the Sinti and Roma people, the gypsies of Europe. These interesting community have some obvious and distant connections to our own banjaras (gypsies of western India) and have always fascinated me, especially when I come across linguistic similarities. Here’s a video I watched a long ago, featuring a young Romani woman walking through the bazaars of Delhi.

Can you imagine her people when they first arrived in medieval Europe? Gypsies/ the Romani, Dom & Sinti people have a long and over-looked history of being victim to atrocities, typical of what befalls the poor and the weak. Video from IBNlive.com
The memorial is a beautiful and dark pond surrounded by flags of stones, on which the names of concentration camps have been etched. A poem by a Romani poet Santino Spinelli, is written on the outer boundary of the pond-“Gaunt face / dead eyes / cold lips / quiet / a broken heart / out of breath / without words / no tears”

Earlier in the day, the tour had taken us to yet another tragic memorial, the Memorial to the Murdered Jews of Europe, and that of course has to be one of the lasting scars in the history of the world. The memorial is a block of large granite stones that reminded me of tombs, hundred of them stretched out. A forest of darkness through which our tour-guide let us walk in silence. Afterwards, when we came out on the other side, we were asked to describe what we felt. That was a powerful experience that I think I should not put into words, and let it remain somewhere inside me.

walking through the Memorial to the Murdered Jews amplifies your contemplation of the holocaust through visual and tactile stimuli.

In the course of visiting all these memorials, it struck me that each of these had been planned with deep thought. This ability to think through the objective of the memorial is in itself a testament of the respect shown to the dead. These memorials were built to evoke emotions, context and experience in us who come many years after these tragic deaths. Needless to say, I am simply blown by the scope and scale of such acts of remembrance, especially the individual efforts, like the stolperstein.

On one of my night-outs (with another desi that I met), I inadvertently found myself standing next to a set of stolperstein. I had spent days looking down while walking, looking out for these little bronze plaques and never coming across one; and yet, here I was, looking for some dinky club, stopping to take a breath..and right at my feet were these bronze embellishments. The stolperstein are the work of a German artist Gunter Demnig. Each hand-made plaque bears the name of a Jewish resident of the town. The stones record the year and place of birth, as well as the final destination… in all cases, the death camps. Local communities are actively involved in researching the names of the Jewish residents and an application is made to produce the little plaques. A few months later, these are lovingly set into the pavement, outside the homes and old offices of the victims.

Stolperstein for the Schwartz family, and I think, the Nielsen families, all six perished in Auschwitz.. Apologies for the very bad quality of the photo. I still shudder when I think..imagine, taken from this threshold, all the way to Poland to die?!

Finally, as a book lover and also a product of a most open education, I remember the plaza where the Nazis had a massive book burning. The irony is that these “ultra nationalists” destroyed potent symbols of knowledge right in front of the Humboldt University, in a square that is flanked by buildings from Germany’s own enlightened past.

This is the irony or perhaps the truth of the far-right ideologues, often they have little sense of the true greatness of their cultures and instead they represent the most narrow (and violent) tendencies of the primal human. As I stood over the glass pane that now covers symbolically empty book-shelves, I was thinking of the countless acts of violence back in India, the various artists we have hounded out of the country, the voices that have been silenced, the youth that has been stifled. It is the curse of our human existence that we will always co-exist with the Cain of our species.

“Where they burn books, they will, in the end also burn people”- Heinrich Heine

Museums of Amsterdam

I love visiting museums, which is how I spent my limited days in Amsterdam. I remember ‘dam being incredibly cold when I was there in May ’19! And expensive… especially when you’re not working and have landed up in Europe on a shoestring budget :). I remember drinking a lot of coffee from Albert Hijn chains with a dribbling nose, so I could spend the precious euros on entry tickets.

Museums in the west have beautifully curated exhibitions and it is just so incredible how they have managed to preserve their history and monetise it at the same time. It speaks so much about a culture of preservation and understanding. On the other hand, in the south Asian countries where I am from, museums have become state-funded dustballs, with unimaginative curation that fail to excite most visitors. All the beautiful work we have, and the decrepit ruin we consign it to. Perhaps, fitting for a fatalistic culture that generally prevails the sub-continent.

I visited the Rijksmuseum, the Van Gogh and even the Moco all within two days. This is possible because all three are in a tight area called Museumplein. The only one that I missed, and maybe I should have visited was the Stedelijk Museum, which in retrospect was probably a better museum for contemporary art than the Moco.

Was early enough to see a museum employee cleaning up this graffiti at Stedelijk Museum

The Moco is a small museum for Modern Art, but this was the most disappointing one. The one that pointed at how all that is packaged well is not necessarily good! The key attraction here is Bansky and other street artists, but most of the his work are prints of the original.

It was a bit like walking through the collection of someone who had printed all the images of Bansky that all of us have seen. There was a small exhibition on Yayoi Kusama, but again it was more of an homage to the artist. At 11-12 Euros I thought this was a bit of a tourist trap. Ironic that it had to be Bansky.

The Van Gogh museum was interesting mainly because I never knew that all the preservation and later curation of his work was largely done by his widowed sister-in-law. It made me wonder, how many Van Goghs we must be losing because no-one recognises the value of their fevered brains; all those mad correspondences, their ceaseless output all poured out and lost. Again, I will have to counter-balance this with the idea of impermanence, a deeply eastern philosophy which now I realise probably came from the impossibility of preserving anything!

The Rijksmuseum ofcourse has to be visited. It is a grand entry into a history of a country that I had very little idea of, despite its disproportionate influence on a world far beyond its borders. What the English was to the parts of the world where I come from, the Dutch was to large and fertile islands in the east.

I was also able to relate this to the online course I took on sustainability by Dr Jeffrey Sachs. The Dutch East India Company and the English East India Company were the beginnings of a capitalist history, the consequence of which all of us have been living through. When I think of the scale and momentum of impact that these ships from the cold ports of the Amstel & Thames river made, I am dumbstruck by a deep sense of an immense and shared human history.

The Rijksmuseum also houses Rembrandt’s famous work, the Night Watch. It is truly quite splendid when you walk into a large hall, and yet this large painting dominates the scene with its wide wall to wall canvas and a glorious illumination that seems to come from within the painting.

Lastly, what you simply must not miss, is a quiet moment at the Memorial to the Women of Ravensbruck. This is a steel column structure on the bottom right of the Museumplein, as you face Rijksmuseum. It looks like a column of non-descript steel facades until you get closer and you start hearing a periodic rumble and strange flashing of light coming from a steel column. It forces you to walk towards it, and start trying to figure out what it could be. A quiet and gradually disturbing reminder of the victims of the holocaust, this memorial specifically remembers the women who died at Ravensbruck camp (Germany). The sounds you hear begin to remind you of the cries of women in the camps and the flickering white light goes up and down vertically like the millions of lost lives. Deeply moving. If ever I am in Amsterdam again, I must put a flower there. We must always remember the ones who died against fascism and similar brutalities.